Leonora van Hemert
A Clockwork Orange
A Clockwork Orange
The movie A Clockwork
Orange's main protagonist is Alex. He lives in a dystopian futuristic city
with a repressive totalitarian super-state. Under this repressive government
there is a growth of a violent youth culture. Alex, who is part of this
subculture, is the leader of a gang of teenage criminals.
The movie begins with the boys hanging out in the Korova Milkbar,
where the story is narrated by Alex himself. The story moves on to the boys
ringing the doorbell of a house, asking to use the telephone. Once the door is opened, they barge in with
masks on their faces and proceed to beat up the man and rape his wife, while
Alex is singing 'I'm singing in the rain'. They then return to the Korova
Milkbar, where there is a woman singing an opera by Beethoven, who is Alex's favourite
composer. One of the boys of the gang is disrespectful towards the singer and
Alex beats him with his walking stick. This is the moment where the others
decide to turn against their leader. The next scene, the boys are waiting for
Alex in the foyer of his apartment building, where he lives with his parents.
They decide to go on another robbing spree and rape and rob an old cat lady
living alone. Alex is the only one carrying out the robbery while the others
wait outside. When Alex hears the police, he quickly tries to flee, but is
betrayed by his fellow gang members and hit in the head and left for the police
to pick up.
The old cat lady dies from her injuries and Alex is
sentenced to 14 years in prison. There he bonds with the prison chaplain and
seems to have converted to Christianity. There is talk about a special
treatment in the prison that is supposed to cure one of his violent tendencies.
Alex asks the chaplain about this treatment. He responds that it still is
experimental and that if Alex's wants to be good that he has to choose to be
good. "Goodness is chosen. When a man cannot choose, he ceases to be a
man" (Chaplain). Ultimately, Alex is
chosen to undergo the treatment. The treatment is called the Ludovico's
Technique, which brainwashes and also incorporates associative learning. He is forced to watch violent movies with a
contraption placed on his eyes so he cannot look away. The treatment's result
is that Alex becomes ill every time he is confronted with violence. Unfortunately,
one of the movies also includes Beethoven's ninth symphony, so Alex is
conditioned also against this particular piece of music. The State deems Alex's
treatment successful and makes plans to implement it on a larger scale.
Alex is released from
prison, now harmless and unable to commit violence against anyone, but also
unable to resist violence committed against himself. As a cruel spin of fate he
meets with all his previous victims who are out for revenge. Even his old
buddies, who are now police officers take him to an abandoned field and beat
him up. Beaten up and soaking wet from the rain he reaches a house and knocks
on the door. The man living there answers the door and Alex recognizes him as
one of his former victims, who he had beaten up and whose wife he had raped.
The man however doesn't recognize Alex as his robber, but he does recognize him
from the papers and the headlines about the treatment. The man, who turns out
to be a dissident writer against the state, plans to use Alex for his own
interests which is to bring down the State. However, Alex makes a mishap by
singing 'I'm singing in the rain' while in the bathtub, which reminds the man
of who Alex really is. He blames Alex for the death of his wife and wants to
use his death to blame on the State. He tortures Alex by making him listen to
the ninth symphony by Beethoven. Completely out of his mind, Alex attempts to
commit suicide by jumping out of the window.
He does not die and is
admitted to hospital and meanwhile the State is under scrutiny because of the
treatment they have given Alex. However, there are no consequences for the
State. The dissident writer is also put in jail. Alex is restored to his own
self and in return he is asked for his cooperation in saving the reputation of
the government. He agrees and the movie ends with a press conference.
Because of the treatment applied by the State to Alex to rid
him of his violent behaviour and tendencies, he becomes completely unable to
resist any violent acts committed to him. In the scene of the big reveal of the
results of the treatment, Alex is harassed and even forced to lick the soles of
someone's shoe and he is completely unable to resist the violence that is being
done to him. It seems that this treatment is the ultimate mean for the State to
compel its citizens to its goals. If this therapy was indeed implemented it
could take away all the free will of people.
"He seizes to be a wrongdoinger. He seizes also to be a creature
capable of moral choice" (Chaplain). He turns into a perfect puppet for
the State to control.
It is the question whether the goal of the treatment was to 'cure' Alex of his violence or if it was to 'cure' Alex from his free will. The State seems to want to exercise complete control over the individuals who experienced the program as they do not see a problem with Alex being forced to lick the sole of someone's shoe and not able to resist the violence committed against him or to stand up for himself.
Moreover, Alex himself inquires about the program. This could be because he just wanted to get out of prison, but perhaps also a form of self-censorship as he wants to be good and does not care about the consequences and dangers the chaplain warns him about. He just wants to get out of prison and never get back in. He just wants to comply to the standards and norms the state has set for him. He 'just' wants to be good as that is what the State requires of him. He does not necessarily show remorse for the crimes he has committed.
“Truly engineers, though maybe not of human souls, censors intend to construct rather than prohibit. What they wish to make is a certain kind of text, one that can be read in only one way […].” (Holquist 1994). The State tries to construct a certain, perfect model citizens of those who do not immediately and freely comply to its rules. With the Ludovico's treatment it attempts to suppress any dissident movement permanently and not only rule out violence, but also rule out any form of opposition and expression of free will.
It is the question whether the goal of the treatment was to 'cure' Alex of his violence or if it was to 'cure' Alex from his free will. The State seems to want to exercise complete control over the individuals who experienced the program as they do not see a problem with Alex being forced to lick the sole of someone's shoe and not able to resist the violence committed against him or to stand up for himself.
Moreover, Alex himself inquires about the program. This could be because he just wanted to get out of prison, but perhaps also a form of self-censorship as he wants to be good and does not care about the consequences and dangers the chaplain warns him about. He just wants to get out of prison and never get back in. He just wants to comply to the standards and norms the state has set for him. He 'just' wants to be good as that is what the State requires of him. He does not necessarily show remorse for the crimes he has committed.
“Truly engineers, though maybe not of human souls, censors intend to construct rather than prohibit. What they wish to make is a certain kind of text, one that can be read in only one way […].” (Holquist 1994). The State tries to construct a certain, perfect model citizens of those who do not immediately and freely comply to its rules. With the Ludovico's treatment it attempts to suppress any dissident movement permanently and not only rule out violence, but also rule out any form of opposition and expression of free will.
I believe that this film can be applied to various
historical situations. The oppressive State wants complete control over its
dissident citizens and the treatment would have been a perfect solution to
eradicate dissident movement forever. The treatment may have been very over the
top, however it can be seen as a severe form of indoctrination. It's primary
goal is to brainwash people to be 'just' and 'good' and to not resist any form
of violence committed to them. Whether this is by individuals (the dissident
writer) or, more importantly, by the government (the State). One could argue
that in a totalitarian oppressive regime, the goal is that the citizens comply
by the norms, standards and requirements set by the state and not to resist
them. In A Clockwork Orange not only Alex's actions are censored„…it was the spirit, meaning and essence of the
intelligentsia that was wiped out“ (Tolstaya 318). The whole idea of
Alex as a being was eradicated. He himself
is being censored; his entire being
and his free will are being controlled by the treatment he has been given by
the State. He is not a human being with free will and choice anymore. He is a
puppet to an oppressive regime.
Holquist,
Michael. “Corrupt Originals: The Paradox of Censorship.” PMLA 109.1 (1994): 14–25. Print.
Tolstaya,
Tatyana. “The Perils of Utopia: The Russian Intelligentsia under Communism and
Perestroyka.” Development and Change 27 (1996): 315-329.
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